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Mark Rothko - By 1950 Rothko had reduced the number of floating rectangles to two, three, or four and aligned them vertically against a colored ground, arriving at his signature style
From that time on he would work almost invariably within this format, suggesting in numerous variations of color and tone an astonishing range of atmospheres and moods.
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Untitled 1968 Blue Green, Blue on Blue Background - Mark Rothko Blue, Green, and Brown - Mark Rothko
Untitled 1968 Blue Green, Blue on Blue Background - Mark Rothko Blue, Green, and Brown - Mark Rothko
Brown, Blue, Brown on Blue - Mark Rothko Why Not Buy Your Print Framed
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Brown, Blue, Brown on Blue - Mark Rothko Click on Each Image for Details
  Green Red on Orange - Mark Rothko
  Green Red on Orange - Mark Rothko
No. 6 (Violet, Green and Red), 1951 - Mark Rothko  
No. 6 (Violet, Green and Red), 1951 - Mark Rothko Art Prints Art Posters from the Paintings of Artist Mark Rothko
Rothko's work began to darken dramatically during the late 1950s. This development is related to his work on a mural commission for the Four Seasons restaurant, located in the Seagram Building in New York City. Here Rothko turned to a palette of red, maroon, brown, and black. The artist eventually withdrew from this project, due to misgivings about the restaurant as a proper setting for his work.
1949 - Mark Rothko Earth and Green - Artist Mark Rothko
1949 - Mark Rothko Earth and Green - Artist Mark Rothko
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